Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.
Four female cons who have formed a band in prison get a chance to play at a police ball outside the ...
'Blind Bob' has written a song and the folks at the music publishing company think that Joe Frisco, ...
In 1986 Terri had a hit record. Still touring - same tune, same band - she longs for new material, b...
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artif...
A radio salesman gets knocked out by a golf ball and dreams he's in the desert where he sells radios...
10 minute experimental film. Warning: this video involves frequent strobing.
A character from a musical film falls into the real world in this short, predating similar films by ...
Alan Ladd was discovered by Sue Carol for his incredible voice in radio. And then she married him. I...
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soo...
Naked bodies are buffeted by water accompanied by the music Il Temporale from the opera La Cenerento...
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful yo...
Two religious maniacs, Judas (played by Terrence Fleming) and Corned Beef (played by Eric Hammer), a...
A chronicle of the lives of several teenagers who attend a New York high school for students gifted ...
It's 1961, two years after the original Grease gang graduated, and there's a new crop of seniors and...
A hybrid artistic bet and therefore binding in which the architectural space ceases to be a scene of...
The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, th...
A look at the lives of 19th-century composers Clara and Robert Schumann.
A romantic drama about two couples shifting sexual dynamics over one night in a music bar.