Focusing on the self-narration and visual language of the mounted police, ‘A horse is a horse of course of course’ reflects on how police horses are treated as just another of the many apparatuses police use for the maintenance of social control systems and their legitimation. While undergoing a special domestication process aimed at suppressing their instinctive flight responses to fear, horses become a means to impose disciplinary power in return. Originally a two-channel video, ‘A horse is a horse of course of course’ invites us to question the distorted mainstream cultural definition of policing. To start engaging with an abolitionist practice also requires radically decoding and refusing the oversimplifying language that police speak.

A one-time (and now one-handed) master film editor toiling in the cinematic sweatshops of 1970s Ital...

Cecil Taylor was the grand master of free jazz piano. "All the Notes" captures in breezy fashion the...

A killer is roaming the streets targeting young hookers. Police are trying to stop him by employing ...

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and ...

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A crooked detective masterminds a robbery then fights to keep his money.

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Mark Rothko, a master of abstract expressionism, created 835 paintings during his five-decade career...

An animated telling of Kobe Bryant's titular poem, signaling his retirement from the sport that made...

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The Trevino family tries to overcome the irresponsible behavior of Don Cruz, an erratic father with ...

In 1970s London, Scotland Yard orchestrates the downfall of mob boss Vic Dakin after he crosses the ...

When a priest hears a murderer’s confession, he becomes bound by his vow of silence—even as circumst...

Follows a famous artist with dementia’s surreal encounter with death.

In the midst of Nazi air raids, a postman dies on the operating table at a rural hospital. But was t...

An intense and imaginative artist, revered Dutch painter Vincent van Gogh possesses undeniable talen...

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